The Great JFK Supernova

It is my belief that the JFK Assassination and its cover-up are part of a continuing and on-going program of psychological warfare and terrorism directed expressly at the people of the United States. Throughout my involvement in dismantling the multiple deceptions of the Warren Commission, I have done so primarily by concentrating on removing psychological screens, blinders, and filters surrounding the assassination "evidence" which had befuddled previous experts

A great part of the psychological warfare aspect of the on-going terror is related to the treatment given to the medical evidence by tabloid media artists and sensationalists. Others are crass exponents of the Single Gunman Theory who use "antiscience" and reverse psychology to keep the research community and the public paralyzed with fear.

However, reverse psychology works both ways. One of the psychological overlays used on the mind is a distasteful series of gruesome terms regarding the wounds which act as "psychic buffers" around the evidence which stunt one's thinking and powers of observation by the use of cognitive dissonance.

One such term, referring to President Kennedy's mortal head wound is one called "The Blob". This is an example of a nefarious lexicon of "psychological filters" and "psychic buffers" used both to terrify and to "put off" individual attention and public scrutiny. The media covers it up with pseudo-sensitive protestations of "distasteful material" and the blatantly hypocritical lie:

I beg the reader to consider this piece as written "out of respect for the Kennedy family". Reverse psychology cuts both ways, either negative or positive, depending on who wields the sword and in what context.

SLAYING "THE BLOB"

The use of the term," The Blob", refers to a gelatinous, amorphous mass or blob of alien matter. Incidentally, its cross references surface instantly from the unconscious mind. This is a form of programming and associating the purported "amorphous mass" which the mind is seeing (JFK"s head) with the "amorphous alien" which descended from space to devoir mankind's DNA in the classic 1950's science fiction horror. This, instantly, not only dehumanizes the victim, President John F. Kennedy, a most humane man; but associates him and this moment instantly to something foreign, alien, antihuman and life threatening. Get the picture?

My purpose in writing this is to slay "The Blob" in your mind's eye so that you may see the miracle before you clearly, not with dispassion but with compassion. If I am clear in my exposition, we shall all see this moment in a new and usual light.

On November 24th, 1998, this writer received a unique piece of research from Greg Burnham. His enhancements of Zapruder frame Z-335 have resulted in a remarkable find: the discovery of a unique wave form, a splash and splatter pattern, which under further enhancement by this writer has resulted in a major breakthrough in understanding the physics of the mortal head shots beginning at Z-313 ff.

The cooperation between these two researchers has resulted in the identification and confirmation of the direction and source of the shot by studying the wave forms brought to light by Greg Burnham and their correlation with 5 other pieces of information by this writer: The Z-Film, The Nix Film, 2 eyewitness accounts and the shapes revealed within the wound. A six element of information was received in Dealey Plaza at the 35th anniversary commemoration: an undoctored version of the Mary Moorman polaroid.

The story begins with this e-mail received 2 days after my return from the JFK-Lancer Conference in Dallas, actually on the night of November 24th, 1998:

If you find my work on Z-335 revelatory of a shared connection to the Spirit of Truth... Then I will be pleased yet again this day...

Attached was a file entitled "Head Shot", comprised of 6 studies of Zapruder frame Z-335, which Burnham at first believed demonstrated signs of alterations, perhaps painted into the frame, as David Lifton had once suggested to this writer many years ago. Below are the two most important to this writer:

"THE GREAT JFK SUPERNOVA" SPLASH PATTERNS Uncovered and enhanced by Greg Burnham

My reasoning that it may have been an alteration is that the "plane" of the wound is literally raised above the "plane" of the remainder of the frame's surface as one can see in the extreme close up. I think that although I have no experience in this area, I suggest that before you thank meyou may want to consider the "angle" of the "shadow" that is cast from the raised plane as opposed to other shadows... as the light source causing the raised area's shadow is seemingly inconsistent with the Sun's angle in Dealey Plaza in relationship to the JFK head "position" -- the light source causing this shadow appears to come from an area where the sun was not on that day. I concluded, perhaps wrongly, that the shadow's angle was caused from a light source within a "room" where the frame was being re-shot... perhaps the flash bulb or whatever.

A good night's sleep, "dream viewing" Greg's work in slow moving 3-D eidetic images of the subject, produced the following further enhancement of Burnham's original "Z3351d" and the subsequent analysis I wrote, bright and early the next morning, November 25th, 1998:

"Z-3351D-M*": RDM's Enhancement of Greg Burnham's Original Work

RESPONSE TO BURNHAM, NOVEMBER 25th, 1998:

No doubt about it. If you realize that you are looking at two counter rotating vortices of LIQUID, the wave forms and shadow patterns make perfect sense.

In the head region, you are seeing "The Plummet Point" of the missile. The angle of attack confirms William Newman's testimony that the shot came over his head and from behind him, not the Grassy Knoll. The Grassy Knoll shot followed almost immediately, entering an already open wound seen here, and continuing to pass through the spray and remaining portions of cerebellum. These tissues were carried out by it's passage through "The Lone Star Exit Wound" (See "The JFK Medical Paradox", url above).

The reason I am gratified that you have brought this to light is that I have already found TWO previously undiscovered condensation trails of the BALLISTIC TRACK of the bullet which caused this wound in TWO FRAMES in TWO SEPARATE FILMS.

One is in Z-313 of the Z-Film and a corresponding trail in the Nix film. Because the two trails render two separate perspectives, it has become possible for me to create a stereoscopic view of the angle the trails and it clearly and simply vectors back to the top of the Pergola Tower behind Zapruder and behind William Newman. Mr. Newman confirmed for this writer on Sunday, November 22, 1998 in a personal meeting at the Lancer Conference that the sound of the shot at Z-313 had come "from behind and above".

In a taped interview he reiterated that "from his visual perspective...and the sound of it" that the shot seemed to have traveled OVER his head from behind nearly hitting him. Mr. Newman, whom this writer saw describing the same events on November 22nd, 1963, went on to clarify that from his vantage point "behind me" DID NOT MEAN "The Grassy Knoll", NOR did it mean "behind me" from the TSBD.

William Newman was emphatic when I first saw him on the day of JFK's death and just as exact in his testimonies 35 years apart to the very day. If you look at Mr. Newman's position and that of Mr. Z. in the Nix film only one conclusion follows, i.e., the shot originated from he top of the Pergola Tower behind Mr. Z. who also stated that it came from his right, as appears clearly indicated by a newly discovered condensation trail whose angle of attack indicates the source to have been atop the Pergola Tower. As discovered by Dr. David Mantik, Mr. Newman's presence and that of his family have been excised for the Z-Film!

The splash pattern which Greg Burnham brought to light only confirms a logical sequence in physics and a previously stated conclusion. As this writer stated in Dallas to Professor James Fetzer and Dr. David Mantik in a private conference, the forensic evidence is clearly consistent with this discovery and explains one of the most cryptic 2 word sentences in the entire WCR:

The transverse shots from above and behind, exiting the right temple and/or hypothetically striking the orbit of the right eye could not and should not intersect with "vomer". Neither should nor did the "Grassy Knoll" shot which passed more horizontally, clearing vomer unimpeded as it proceeded to exit creating the "Lone Star Exit Wound" previously cited above.

The splash pattern has created the two vorticular wave forms of liquified tissue spreading in a nearly hemispherical pattern whose PRIMARY AXIS (the axis of the Primary Vortex described below) IS THE PATH OF THE TUMBLING BULLET seen in Z-313 as an intermittent dashed trail from upper right directly to the head of JFK.

Many, including this writer for a short time, erroneously thought the track could be a skull fragment or some such reactant tissue or brain matter. However, this is belied by the linearity and uniformity of the intermittent copper tinged trail, quite literally, a blazing trail. These characteristics show that the object causing the trail was:

An intermittently glinting object of metallic, copper color and that the object possessed very high velocity;
Moving with gravity; Tumbling in rapid rotation, with a uniform, pulsating frequency throughout its flight path to its target, the head of John F. Kennedy.

THE PRIMARY VORTEX: "THE WHIRLPOOL"

What I have described above as "The Plummet Point" is visible in the "Primary Vortex" (top) as the assassin's Sabot shell (exploding bullet containing mercury fulminate) strikes vomer and detonates. A whirlpool is visible, hollow and tapering (almost like a conch shell) to a base point within the cranium of the victim. I have named this point "Kuan Yin's Leap" for it is the point from which the spirit of John F. Kennedy leaped out of life and into eternity. The shots received before this one only wounded John F. Kennedy, those that followed only "killed" a dead man.

Visualizing "The Plummet Point" as the tip of a conical arrowhead which created "The Primary Vortex", it is easy to see that the shaft of the arrow necessarily must coincide with the flight path of the missile. Thus, the conical form of liquified brain tissue, frozen in time, reflects backwards along its axis, pointing directly back to the killer, like a radar dish with a central probe.

One can also imagine the same radar dish receiving a strike right down the pike with an anti-radar missile homing in directly on the zero point of its x-y axis, its central probe. The central axis of the cone points to the killer, man or missile. The killer was atop the Pergola porch above and behind, the Newmans, Zapruder and Sitzman.

F8: THE LARGE DEFECT

The notch in vomer, the point of both primary impact and the resultant, backward flowing explosion of liquid caught in flight in "Z-3351d" by Burnham, is clearly visible in "The Large Defect Photo F8".

F8 is the only autopsy photo accepted by this writer as truly and authentically that of JFK, conforming as it does with Elm Street/ Parkland Hospital witnesses and the Zapruder Film as herein described and analyzed.

RDM* ENHANCEMENT OF F8: "LONE STAR EXIT WOUND" & "VOMER CRUSHED"

Visible here, labeled "Vomer Crushed", is the same point seen as the center of the "Primary Vortex", described above, in "Z-3351D-M*". We are looking down into the brain pan in the region of the clinoid process. The aperture of the eyelids with the eyes removed is labeled "Right Eye" for brevity.

The "OCCIPUT" is clearly marked in the hope that this nomenclature will facilitate the study of this photograph by helping doctors and medical professionals in aligning it correctly. It often takes great patience to sit through JFK medical panels discussing this photo.

THE INVISIBLE COLLEGE: THE SCHOOL OF JFK

But, reader, please don't take me simply at my word, educate yourself! JFK Assassination research is an invisible college giving to those who are successful a degree in Reality.

Remember! Gerald Ford stated that he altered the site of the back wound from the third thoracic region to "the right cervical region" for "clarity". Not to alter history".

Unfortunately for us, he failed on both counts. He did not make the record "clearer" as in "clarification" and he did "alter history", as well as criminally altering forensic evidence in the most important murder case in history since Julius Caesar.

I ask Mr. Ford to clarify this now while he still lives. Perhaps I missed some adjective, adverb or conjunction in his thinking and his reasoningand sure we know that Gerald Ford is a honorable man.

I echo in the name of Caesar: "Oh judgement! thou art fled to brutish beasts, Arlen Specter and Warren Commission buffoonery men have lost their reason. Bear with me; my heart is in the coffin there with Caesar, and I must pause till it come back".

"Assassination Science" by Professor James Fetzer, McKnight Professor of Philosophy, University of Minnesota, 1997, Cat Feet Press).

SEPARATING "THE JET WASH" FROM "HOGWASH"

As an exponent of "true science" as opposed to "antiscience", this writer, has tried to expose the fallacies inherent in Dr. Luis Alvarez' "Jet Effect" theory, one of the major props of the Warren Commission Report.

As a pilot, I have taken especial exception to the manner in which aeronautical knowledge and its language or "jargon" were hijacked and subverted to the cause of "antiscience". In the photos herein presented, we can all perceive that there is a partial "jet effect" present. However, no serious or knowledgeable scientist could so misconstrue the evidence explicitly revealed by Zapruder frames Z-313 ff. as to produce a complete reversal of the laws of physics. Yet, that is precisely what Dr. Alvarez did. The evidence is clear, and simply, self-evident.

THE SECONDARY VORTEX: DECAPPING THE CROWN

The "Secondary Vortex" (bottom) is the result of the secondary explosive wave which "capped off" the right hemisphere and temporal region at an angle of incidence of approximately 45 degrees, highly steeped and from the right. This alone explains the correct physics which resulted in "Vomer crushed", as can be seen looking into the "eye" of the Primary Vortex, the base of which appears sitting precisely where Vomer, the bone which forms the base of the brain pan and the upper palatte, should be. It also confirms and explains the splatter pattern described within the limousine by those witnesses who saw it before Lyndon Johnson ordered the evidence destroyed.

THE GRAVITY WELL

"The Gravity Well", the dark region visible within the lower pattern, "Secondary Vortex", is captured by Zapruder's camera being formed by the near instantaneous interaction of the "ejecta" with the gravitational force which is drawing it down, swirling into the car well.

The lower left crest of the wave in the "Secondary Vortex" is the beginning of the SPREAD OF THE LIQUID as a sheet, or in astronomical terms "ejecta blanket", across the upper portions of the car seat and shoulder to the right of JFK's compressing and leftward falling body.

THE DESCENDING TIDAL POOL

The descending wave crest on the lower right is flowing like a tidal wave also drawn by gravity towards its final resting place as a tidal pool of brain matter on the floor of the limousine behind Governor Connally's jump seat and the side wall of the passenger well.

"THE BLACK MOON": A CRESCENT MOON UPON HIS CROWN

For future reference, "The Black Moon", a dark crescent on the upper right of the "Primary Vortex" between 12 o'clock and 3 o'clock is the inside of the cresting wave formed by the upper right portion of JFK's skull and scalp. The scalp and portion of the skull helped form the expanding liquid wave of brain matter by acting like an aileron. The upper flap of scalp and skull is caught reflecting leftward (over the sagittal suture as seen in "F8" above). The pink glow is liquid tissue shown outlining its boundaries like the "silver lining" of a cloud, which is precisely what it was momentarily before the force of gravity began its interaction.

THE ROBERT HARKIS TIDAL WAVE

The Robert Harkis' Wave's trough (upper left), part of the cresting tidal wave of the "Primary Vortex" demonstrates the path followed naturally by brain substance "ejecta" on its way to its meeting with Officer Bobby Harkis on the motorcycle to the rear left of the limousine, which struck Harkis several milliseconds prior to this moment.

To this day, Harkis holds to his original testimony (see "The Men Who Killed Kennedy"), i.e., that the wave hit him so hard that he, himself, believed that he had been shot. Harkis later had to remove large chunks of "the ejecta" from his nose, face and clothes.

HARKIS' HORRIBLE SLOW MOTION NIGHTMARE

To this day, Bobby Harkis dreams a repetitious nightmare that he is riding on the left side of the President.

"Always", he remembers, "everything's goin' in slow motion" until the moment when he's hit then things speed up. But that memory may be so perceived because the Z-Film, through altered frame reduction ratios discovered by Roy Schaeffer, IS sped up until the moment Harkis is hit, and thenit is REALLY sped up!

However, all is not false in the Zapruder Film. Certain key frames have captured universal truths frozen in quantum moments of time.

One of those, "Z-3351d", uncovered by Greg Burnham, captured a celestial event I call "The Great JFK Supernova".

We have shown how the victim, the archetypal hero, an American Siegfried, our own Arthur, verily, a Cosmic Christhead, in his transcendental momentpointed out his killer, before his final gesture.

John F. Kennedy, in dying, raised his right hand before falling. Though deleted from the Z-Film, Mrs. Jacqueline Kennedy said, "He raised his hand just like that,it was neat--it was beautiful."

Mrs. Kennedy also said that his face in death was the most beautiful she'd ever seen: relaxed, peaceful, serene. Let us reject the "Stare of Death Photos" collectively Those frauds are not the face of John F. Kennedy in death or any other state. Let Jackie tell you of his face. "It was the embodiment of compassion", she said. Jackie had just witnessed "K'uan Yin's Leap".

by Robert D. Morningstar

Preface